Showing posts with label musical theater. Show all posts
Showing posts with label musical theater. Show all posts

Thursday, April 24, 2014

"Rowena" from Let Me Ascertain You: Sex Variants 1941


Check out Cyrilla Baer performing "Rowena" (music by Erato A. Kremmyda and lyrics by Maggie-Kate Coleman) from our recent Let Me Ascertain You: Sex Variants 1941 at Joe's Pub! 

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Tuesday, January 28, 2014

LMAY: Sex Variants 1941 - Meet The Composers!

In anticipation of Let Me Ascertain You: Sex Variants 1941, we wanted to give you a sneak-peak of our impressive lineup of composers. Check them out below, and then grab your tickets to the show before we sell out. Monday, February 3rd @ Joe's Pub. Tickets available HERE! 

Tim Acito has received three Drama Desk nominations (book, music, and lyrics), multiple ASCAP composer grants, the GLAAD Media Award, and a Sundance residency for his work in musical theatre, which has been performed Off-Broadway, regionally, and abroad. 



César Alvarez writes about theater, music and science here. He’s a Drama Desk-nominated composer, lyricist, performer and writer. Founding member of The Lisps. Co-founder and resident composer of LA-based dance company Contra-Tiempo. 




Maggie-Kate Coleman wrote the book and lyrics for POP! and From a Childhood, written with Erato Kremmyda. She's been all over the place: The York Theatre Company’s NEO Cabaret (with composer Daniel Maté), Joe’s Pub, Barrington Stage, Laurie Beechman Theatre...just to name a few!




Michael Friedman has written music and lyrics for The Civilians' Canard Canard Goose, Gone Missing, Nobody's Lunch, This Beautiful City, In the Footprint, Paris Commune, and The Great Immensity (premiering at The Public Theater in April). He also wrote the music and lyrics to Bloody Bloody Andrew Jackson (Broadway). Check him out performing an original he wrote for The Civilians' nationwide Occupy #S17 here! 




Andrea Grody's recent projects include Venice at the Public Theater, Love Labour's Lost at Shakespeare in the Park, White Christmas at Northern Stage, and a workshop of Carmen set in Cuba and reimagined by Moisés Kaufman and Arturo O’Farrill. Upcoming: Fortress of Solitude at Dallas Theater Center and The Civilians’ The Great Immensity at The Public. You can actually check out Andrea's most recent output on our latest podcast Holy Matrimony!  


Erato A. Kremmyda is a New York based composer, originally from Athens (Greece).  Theatre (selected): Agamemnon (Irondale, NYC), The Dot (Bios, Athens), We Are Theatre(Cherry Lane Theatre, NYC), Wagon Wheel (Loewe Foundation Development Award, Planet Connections, NYC), Field Trip: A Climate Cabaret (Superhero Clubhouse/ Marfa Dialogues NYC)...and many more! Take a trip over to Erato's website.



Grace McLean began writing ditties as a remedy for her pickled love life and has developed a sparse, plunky style that underlines her often irreverent, always truthful lyrics.  In addition to playing with her band Grace McLean and Them Apples and composing music for a performance piece about 12th century German mystic Hildegard von Bingen, Grace currently performs in the pop opera Natasha, Pierre & the Great Comet of 1812. Check out some of her tunes here!


Jill Sobule has made four more critically acclaimed albums, Happy Town, Pink Pearl, Underdog Victorious, and 2009′s California Years, which Jill released on her own record label, "Pinko Records," after collecting over $85,000 from fans who funded the project. She has played the role of political troubadour for NPR stations across the country and for Air America Radio. Check out her nifty corner of the web here.



Max Vernon's work has been performed at venues such as Dixon Place, LaMaMa, Ars Nova, Joe's Pub, and Music Hall of Williamsburg. His musical, WIRED, was a finalist for the 2011 Eugene O'Neill Musical Theatre Conference, and given a 29-hour reading at Ars Nova Theatre.  Learn more about his work on his website.



Come join us at Joe's Pub on Feb. 3rd to hear what these fantastic composers come up with!

Monday, November 14, 2011

Literary Corner: SOUTHERN COMFORT

As Literary Associate at The Civilians one of the fun things I get to do is check out shows going on that are connected to investigative theater. Because The Civilians is an institute for investigative theater, we like to support shows that fall on the spectrum of investigative by highlighting them here on the blog. Whether a show is directly investigative or the idea for it came from investigative source material, we’re interested!

Last month, I had the chance to see SOUTHERN COMFORT, with book by Dan Collins, music by Julianne Wick Davis, and directed by Tom Caruso, which played at CAP 21 October 5th through November 6th. This musical is based on a documentary of the same name, which tells the story of a “chosen family” of transgender individuals living in rural Georgia. The story is touching and the folk-bluegrass score is upbeat and moving. You can visit the website here.

What’s interesting about this piece from an investigative theater standpoint is that it’s based on a documentary, without actually being a piece of documentary theater. There aren’t that many musicals based on documentaries to begin with, but in the few I can think of – for example, GREY GARDENS – the theatrical version does not maintain a sense of interviewer/interviewee. In SOUTHERN COMFORT, however, characters respond to imagined interview questions as a function of storytelling. This element in particular contributes to the feeling that this musical is a hybrid of traditional musical theater and something more investigative. It’s always cool to see elements of investigative theater working their way into more mainstream forms, especially in a piece as unique and exciting as SOUTHERN COMFORT.

Though the show is no longer running at CAP 21, keep an eye out for future incarnations. And, stay tuned to The Civilians blog for more spotlights from the Literary Corner on shows related to investigative theater!

Post by EllaRose Chary

Friday, February 4, 2011

Michael Friedman and Bess Wohl in The Spotlight for A PRETTY FILTHY EVENING

Composer and lyricist Michael Friedman and playwright Bess Wohl were interviewed for the Los Angeles Times Culture Monster blog about A Pretty Filthy Evening at the Kirk Douglas Theatre this weekend (which is already sold out). It's a fantastic piece:

What was your strangest interview?
Wohl: I went to the set of “Not the Bradys XXX.” That pretty much collapsed every fantasy of my childhood.

Michael, the world of adult entertainment seems wildly different from the emo-history of "Andrew Jackson."
Friedman: Actually musical theater is very similar to porn.  It’s a fantasy about attractive people who do cool things. It’s a place you go to learn what you like. Porn knows more than you do about what you want.

Break a leg to the AMAZING CAST this Saturday!