Monthly Media Roundup December, 2012

Happy New Year! We hope you've had a great holiday season. Our office has been closed starting December 21, and will reopen January 2. We wanted to still keep you in the loop about what has been happening for us online this month, so here's the December Media Roundup. See you in 2013!

Blog:
R&D Group Post by Matt Dellapina about his R&D project

Podcast:
Occupy #S17, Part I featuring a performance by Tony Award-nominee Kathleen Chalfant, a monologue by our Associate Artist Colleen Werthmann, and a song by Jill Sobule

Subscribe on iTunes HERE!

Press:
Mr. Burns is the Washington Post's Best Show of the Year
Paris Commune in L Magazine's Best Shows of the Year
You Better Sit Down as a New York Times Best Unscripted Moment of the Year

Video:
Occupy #S17 Clip of Kathleen Chalfant performing at Joe's Pub
And we've got a bunch of video clips from our Education Program at the Brooklyn High School of the Arts, where students conducted interviews and created their own show about voting, civic responsibility, and voting. Here they are:
Why Do You Vote?
Voting is for Bigger People
Who's Bush?
Does Race Matter?

And here is video of the kids performing a song that Michael Friedman wrote, which they sang as part of the show!

Simpsons Writer Attends Mr. Burns, Anne and Steve do too.

Hi folks, it's me Steve Cosson Artistic Director of Civilians. I will confess I am woefully under-prepared for the apocalypse zombie or otherwise. But I did just direct a play about it.  

Anne Washburn (author of said play with music by Michael Freidman) and I had the great pleasure of catching the closing weekend of Mr. Burns: A Post-Electric Play at Woolly Mammoth theater in DC. The play is Anne’s imaginings of what would happen to our culture after some cataclysmic event wipes out most of the global population and all the civilization that goes with it.  The Civilians commissioned the play, and Anne started her work by gathering up some of our Associate Actors and having them attempt to reconstruct a Simpson’s episode from memory.  Somehow fittingly, we did all this deep in the bowels of Wall Street in an abandoned bank vault that was somehow given over as non-profit art space. Thanks Wall Street for your generous support. It was musty. And felt very zombie apocalyptic. Thanks mostly to Matt Maher’s savant-like ability to recall the Simpsons, we reconstructed a number of episodes, but settled on “Cape Feare” the Simpsons parody of the Scorsese movie, itself a remake of an older film, which in turn took its inspiration from a book. These Wall Street basement sessions contributed to the first part of Anne’s play – a group of survivors huddled around a fire distracting themselves from their grim circumstances with a retelling of the Simpsons' Cape Feare. The second and third parts then imagine how this story becomes theater seven years in the future, and then 75 years after that.  We had a blast doing the show in DC thanks in large part to our talented and intrepid cast and crew.  Suffice to say that the theater of our post-apocalyptic future has everything – music, sword fights, masks, violence, rap, Britney, Gilbert and Sullivan. It alas, does not have electricity.

So, all that’s the prologue to the most important thing, which is that the lead writer for The Simpsons Cape Feare episode, Jon Vitti, read about our show in The New York Times and came with his wife from LA to see the show in DC. And then sent a copy of the script. In case you can't read the note it says "To the Human Race - preserve and protect this script! Forever!!!"  

Along with this lovely note:   

We have promised him that his script has been placed in a zombie-proof vault so that when the apocalypse comes his episode will remain. And our culture will live on. 

If you’d like to see an interview with Anne Washburn and some clips from our production check out HERE 

And to hear a podcast about the process of making Mr. Burns  have a listen HERE: